i’ve stuck it out through turtle-like load times and incomprehensible downtime. it wasn’t so bad…

but screwed up cloaking, defaulting time-intensive template tweeks to the 1.0 wp theme, mandating a status-check for all the urls currently (supposedly) up-and-running —

this just getting to be a bit much…

[dyptich] set of 2

[materials] arious items from personal collection, including: mirror, domed glass, lace, porcelain, ink on ribbon, wire / domed glass, ‘king’ domino, wire, embroidery hoops

[size] approx. 7 in x 7 in x 2 in

[purpose] collaboration with poet Elizabeth Krajeck and visual artist/craftsman Steve Hubert addressing the effects of U.S. engagement overseas and the domestic social climate on the American psyche.

[shown] 2007 IUPUI Cultural Arts Gallery — Half Of What We Are Is Broken

[series] set of 7

[materials] domestic assemblages made from various materials on paper, including: polyurethane, yarn, furniture, glass, and ephemera from personal collection

[size] 22 in x 30 in, various depth

[purpose] collaboration with poet Elizabeth Krajeck and visual artist/craftsman Steve Hubert addressing the effects of U.S. engagement overseas and the domestic social climate on the American psyche.

[shown] 2007 Half Of What We Are Is Broken

[digital collage]

[size] digital output: 21 in x 25 in (framed)

[purpose] a class assignment to decentralize image making and broaden the scope of preconceived notions of visual language and meaning, where intro to digital imagery students to use the scanner as a camera, make direct scans of objects, then swap the resulting .jpg and .psd files. i completed the assignment alongside the students.

[shown] 2005 Lamp Fine Art Gallery — GLOW

[location] private collection (Indianapolis Youth Group / IYG auction)

[digital collage]

[size] digital output: 21 in x 25 in (framed)

[purpose] a class assignment to decentralize image making and broaden the scope of preconceived notions of visual language and meaning, where intro to digital imagery students to use the scanner as a camera, make direct scans of objects, then swap the resulting .jpg and .psd files. i completed the assignment alongside the students.

[shown] 2005 Lamp Fine Art Gallery — GLOW

[series] set of 10 sewn collages and assemblages

[materials] rag and mat board, photocopies, mylar, plastic, found ephemera, glass and various other objects.

[size] approx. 8 in x 10 in.

[purpose] commentary on current American culture.

[shown] Americana / 805 S. Meridian / group exhibition curated by Jack C. Hartigan

[lcoation] His numbering clock — private collection; Dinner — private collection

[accordian book]

[materials] paper, negatives, hair, thread, eucalyptus leaf, image transfer, felt, ephemera

[size] 5 in x 5 in (closed); 5 in x 22 in (open)

[purpose] personal and social exploration of identity, lineage, transience and image

[shown] 2001 IUPUI/Herron Senior Show

[diptych]

[materials] mounted type-C prints, construction felt, glycerin, thread, hair, silver-gelatin print on eucalyptus leaf, eucalyptus seeds, negatives, wood

[size] 24 in x 30 in

[purpose] personal and social exploration of identity, lineage, transience and image

[shown] 2001 IUPUI/Herron Senior Show (honorable mention)